Pierre:
I should say I love this old man looking at the back of the painting, the front of the sexy young woman, he can’t deal with erotism…
also i’m amber obsess.
I’m not sure I understand the all mechanics, well not a cadavre exquis of course, way too linear whatever the ingredient are: space, time or narratives.
still a situation is made out of circumstances different in nature.
an exhibition free from time and space, something that have to do with envisioning a movement of mind, something that usually is express through a diagram, a graph.
an exhibition that can only occurred on that format would be what? free from linearity, time and space as a dream or a thought can be.
it’s a coexistence of different actions that at different moments of their process have some interactions, a dumb example in the field we know…. imagine 7 artists installing “things” during a day, for a group show the day after, their works are not yet done, so they are building them within the place of the exhibition at the same time. we can imagine the confusion, the porosity the accident that can happens…some just go to eat, others get confused and start working on another artist work, it remind me of the restaurant scene in Playtime.
It has to be about editing as a film can do with space and time (montage parallel) still the film medium is himself linear, where the hologram can escape that. so it’s an editing without been linear.
time and space in this object are virtual, still process are display and movement are occuring. it is not an animated graph that show a thought of mind on a flat screen but an object that is an exhibition view from different position in thought.
